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Recent
Work
The
Day The World Changed
Audio
At
the dentist being drilled . . . it's 8:46 AM, when a plane
crashes into the 110-story north tower of the World
Trade Center. Fifteen minutes later,
inside
a favorite bookstore haunt, I'm reading in French
from Saint-Exupéry about a lonely Prince who lives on a tiny asteroid,
warns of the baobabs with roots and tendrils that begin to
grow . . . That's the time (because he says they will spread
to destroy an entire world unless rooted out, early) when suddenly a second plane thumps
into
the equally high south tower. And through fireballs of
such suffering and death, it seems almost surreal because
not aware of any of this, I'm moving still, 9:43 AM now, with
pleasure--secure at a table in Firehook bakery -- from book,
to dark coffee, to dictionary . . . as plane number
three and its all-too flammable
lives
plows into the Pentagon! A
fourth, hijacked like the others, circles back . . . Oh how
the brave men, hopeless, will fight and die! While I
sit amused at baobabs. Smiling
at the baobabs!
- published in The Potomac
Review, Legal Studies Forum and on-line
Tarlton Law Libarary
|
|
Twins
Audio|
One small corner stone, a lamb
carved at the top, the names beneath, Anne and Clinton Brice, the
word twins and 1938-1939 -- a period Steinbeck published
Grapes of Wrath, looking back at the Depression, and
with its perfected shapes of pure white Trylon and Perisphere,
that futuristic New York World's Fair. Inside the rusted fence,
I
can hear, almost . . . beyond the chatter of sparrows, Gehrig,
stricken with ALS, talk of a "bad break," but still affirm, as
if ready to climb Glenn Miller's "Stairway to the Stars," he's
"the luckiest man" on earth. Sparse markers of an era! Like
the crosses and granite here, few names, in part, a
tiny pauper's field?-- behind a strip mall, off Little River
Turnpike -- with grass, weeds, tulips, fallen trees.
I gaze at the memorial
stone,
weather-worn, for the two lives lost. Maybe scarlet
fever carried one off, then the other in a time, forever
Gone With The Wind, The
Wizard Of Oz, Wuthering Heights, Goodbye Mr.
Chips, Ninotchka, when
Nazi tanks tore through Poland. And what of the
parents? For an instant, I become them, loving,
broken . . . Can I ever dare have children again?
Close my eyes . . . Another century's rush hour
traffic, oblivious, accelerates past.
-- published in Potomac Review, The Legal Studies
Forum, and on-line Tarlton Law Library
|
from
that other century |
Buon Appetito
Audio
Every day in Tuscany, feast day: heaping,
savory duomos, convents, sculpture, espresso in
tiny cups, sunshine,
spaghetti, fields with grapes on the vine, olive
trees, piazzas in Florence, outdoor tables, Boticelli
at the Uffizi, a stroll across the Pont de Vecchio,
towers at San Gimignano,
winding narrow streets, cobblestoned in Lucca . .
. , the houses in soft pastels and earth colors, looking
good enough to eat. And, of course, each afternoon
brings its gelato moment,
which is a state somewhere between pistachio and
amaretto, inimitable, where spirit de- taches from
body, ascends . . .
--
appears in 31 Arlington
Poets CD
|

a treat
to savor |
This Snow That Doesn't Stop
Audio
I
trudge up to Washington Circle
and over toward Georgetown: the airport
closed, offices shut, cars
aban- doned; and even as mind leaps
at the oddity
of cross-country skiers on Pennsylvania Avenue, my
feet
sink with every step. If the cleansing
of mind involves a forgetting, what then to say of hedges,
fences, sidewalks, streets that have
disappeared? And even if one cannot forget (the
topography of self, more relentless, constraining than the
city's)
I feel light as I slog along
(or is it delight?) in a gust of wind
that whips a frenzy of
powder off the eaves of a row of townhouses. And
suddenly, though all the boughs
of all the trees are snow-heavy,
it's as if I were
bodiless
amidst a deler- ium of flakes,
an elemental shifting, swirl-
ing St. Vitus'
dance as they
fall. Let them
press,
narrow,
hem me in: I am unbounded!
Who cannot laugh then
at what's . . . (call it
presumption, this city)
man-made?
A minimalist
sense of infinite space . .
.
--published in The Legal Studies Forum
and on-line
Tarlton Law Library
Ways To Describe Snow Audio What
to think of the
eskimos? They
have so many ways to describe snow, from Labradoran Inuit
to
West Greenlandic: there is pukak (snow like
salt), mauja
(soft deep snow),
massak (soft snow),
mangokpok
(watery snow), qaniit
(snow in air,
falling), quanipalaat
(feathery clumps of falling
snow), and
on and on . . . And in some aftermath
as
from a blizzard's blowing, swirling . . . what to think of
us, (who have but one
word, over-extended,
adulter- ated, for love)?
In
Inuit, there are ten words for ice and snow, in West
Greenlandic forty nine. Though visions
of
igloos may please, add ice to love, it can die: I
want to hug you, un- freeze what we've become.
--published
in The Legal Studies
Forum
and on-line
Tarlton Law Library
|

Eskimo
Village |
Excursion
to Sorrento
Audio
Shortly
out of Pompeii we're warned how we need to stay together,
that this excursion, for only forty-five minutes, is to visit
a store, a really good one, after which--the sun is already sinking--an
immediate return to Rome. When we're herded out of the bus, you,
who made a life of breaking away, shake your head, knowingly tug at me--
you,
the Malaysian, who married an American, moved from being a
Buddhist to Christian, to Jew . . . "C'mon, let's get
out of here" you say, as I hesitate to try a
different path . . . Have me walking, while the rest of the
group is trapped with assorted bric-brac, and leather ad
nauseum, almost chasing after, a
few blocks, past a park, orange trees,
voices
buzzing from the cafes filled, beyond which . . . And though
your world has long since erupted, Vesuvius-like, with its
lava of tumors, chemo, horrific suffering, choices, I'd like
to think if ever I go back, I could find that other you, not
lost, but waiting, as when I'd crossed the street to catch up, laughing
"what kept you?" mocking gently my own cautions there
before cliffs and bay, spectacular, serendipitous . . . that
we'd stumbled on, that after so many years, I carry with me
still.
--published in Innisfree Poetry Journal
Noah
and Dove Revisited Audio
"And lo, in her mouth
an olive-leaf freshly plucked . . .
. " Genesis 8:11
The
world had been drowning in prose. Everyone
wanted in -- from aardvark to
zebra. Conditions were adverse when
a lone dove flew toward the ark.
Everyone
wanted in -- from aardvark to
zebra. Noah waved away that
bird, bedraggled, near his ark. It
was filling fast, in disarray.
She
drew closer . . . He shooed her away. On
the upper deck already the
aviaries had filled; and oy
vay, the
downpour now was steady,
his
whole menangerie already afloat,
drifting, when there fell a tear of
blood. And suddenly, voice steady, he
called the dove in, let
matter,
as
against the Flood, that one tear! Later,
she'd leave the ark that had become home.
And with will
enough to matter. Because
out of flight, this poem --
or
rather how to leave what's become home
through conditions adverse . . . Circle
hard,wings beathing. Find a poem for
the world drowning in prose!
--published
in King's Estate anthology, To
Life; the
Legal Studies Forum;
and the Online Tarlton Law Library |
Noah's
Ark
|
Hunger
Audio On
a mountain hillside, two battalions move into the open, training
tanks and howitzers on rebels that cross the
border . . . It's all presented matter-of factly in the front
page of a paper I read on a park-bench in early June
. . . shelling,
slaughteringto stop their incursion, even
as a third force of B-52s overhead begin to drop 500 pound
Mark-82 gravity and cluster bombs pulverizing the
attackers, who nonsensically continue to press forward, to
engage . . . Beside me, a wasp buzzes -- maybe it's
after my cranberry muffin, or the aroma of the coffee . .
. I can brush it off,but
not the image, like a dance, an horrific pas de troisout
of J. Henri Fabre: how such a wasp, Philanthus, with
a honey bee mortally trapped in its mouth, is seized
by a preying mantis who, with naked triangular head, begins
devouring the attacker's belly. Even
in the final throesof extinction, a
terrible hunger: Philanthus
squeezes the crop of the
bee, which then extends full-length its tongue, disgorges
onto it such delicious syrup. The wasp licks there
to the last. --published in Gival Press
anthology, Poetic
Voices without Borders, 2005
Dolphins and Sun Star
Audio
Moving in tandem, south to
north, between Grotto Pizza and the gazebo at
Rehoboth, but out there a bit, dorsal fins high (they're close enough
to see with a naked eye), while at 6AM on the upper level of
the hotel deck a man with binoculars and a woman chat about
Big Sur on the other side of the country and a jazz singer who
was splendid last night, put heart and soul into his songs totally.
And the woman says she's been coming here for twenty years, and
her words, how "the dolphins always pass at just this time, maybe
the feeding
is better now," find an echo with me when
abruptly, a gauzy ribbon of cloud ignites to flame in
that borderland where sky and ocean meet. I look out at
what transforms to . . . (even as I, too, trans- form, become
one with, if only for an instant) that fireball, huge,
consuming . . . And then (almost, it seems, against myself)
I pull back, eyes glazed, still wondering, scan the
waves for those dolphins. They
are all gone . . . --published in King's Estate
Anthology, Unexpected Harvest, 2005
Walrus and the Saxophone
Audio
A walrus on the bridge
with a saxophone weaves his cinnamon-brown body,  heaves
the instrument forward and back, improvising. "How
did you learn to play like that?" I ask. "I
didn't," he snorts. "I just do it." The notes,
like his whiskers, tickle, and I laugh. My feet
take me . . . And suddenly a woman with a gold nose
ring avers this is her dream, starts to clap . . . A crowd
of ten or fifteen have gathered and are clapping also.
The woman warns she loves me, though she's crying.
I'm out there now, to clap and beat, awhirl,
spinning, ask them, ask her -- I'm feeling so dizzy -- to
stop, please! She says she can't because the
dream always "happens the same way." The musician
grunts: "Thank God for what she can do: how
else does a walrus get to play like Charlie Parker?" -- only
she disappears! Such awkwardness from flipper to
key then -- oh bebop, cacophonous -- out of which . . .
There's a place that's empty and hard, like that sheet of
ice on the river below. I get up from it, head
reeling, but exhilarated also, offer myself -- no mean
exchange -- nothing must be held back. A good
show: thank you, but here I am. My nickel!
My dream now! --published in Confrontation 2005
The
Dog Who
Loved
a
Boy
Audio
Tsunami
roared toward
Chinnakalapet,
and Satya's husband screamed from
a nearby rooftop,
"run for your life, run . . ."
as he saw the colossal waves.
She
grabbed the hands of her two
youngest,
pulled them up the hill, frantically
calling her eldest,
seven years old, to follow. Only,
he raced off, toward
what appeared to him the
safest place,
their hut near the shore. If
only she'd
had an extra hand!
Her cry, "No," sharp,
piercing. She
beseeched Lord
Vishnu, and his consort,
Lakshmi--
said to hold the vase of fortune.
And then, like a sitar unstrung,
her soundless wail,
enough
to make earth and sky
weep,
when the family dog, scruffy,
yellow, went with a bound
after the boy, and into the hut, nipping,
tugging, drove
him out, bewildered, and up
the hill to mother,
brothers, barely in time. She
hugged
her child hard, above waters
swollen with debris and
dead, almost to breaking, then bent
over, thought of her dear
brother-in-law--mourned
for,
gone--who'd always been there for
her and her family! Kissed
the dog as if his--Ram's--spirit
had settled thus,
even as canine-proud, panting,
yelping, he eyed them now,
fiercely, protectively. -- Published in
anthology, only the sea
keeps,
Rupa & Co. (India), and Bayeux
Arts, Inc.
(Calgary Canada)
20005
Additional
Poems
and Notes
Additional poems by Mel Belin appear at the following
locations on the internet, with poems not included above listed below:
A poem, mother,
was selected in the Moving Word Poetry Competition and exhibited on
Metro buses in Northern Virginia between July through September 2000.
Tarlton
Law Library
Though the Bombs Smarter; and
On the Coexistence of Different Worlds.
Innisfree
Poetry
Journal
For
Hilary
Tham
Masks
ArLiJo
Barco Negro (See also at Iberian
Travels)
Company
Mayaland All poems
that appear above are
the exclusive work of Mel
Belin.
Copyright © 2000 - 2005 by Mel Belin, All Rights Reserved
Photo at
the top of the page, taken by the poet, Mel Belin, is from a welcoming
outdoor work of art for a cabaret in Avignon,
France. Frédéric
Jeorge's copyrighted photograph accompanies "The Day the
World Changed."
The picture next to " Ways
to Describe Snow" is provided, courtesy of bigfoto
pictures.
The photo accompanying "Twins" is provided, courtesy of
Daniel Belin.
The photo accompanying Buon Appetito is from Wilkimedia's
freely licensed media file repository. It
is licensed
under Creative Commons Attribution 1.0 license,
which
permits sharing and use of the work. It was donated to
Wilkimedia
by Aaron
Logan, who also permits sharing and use of the work under
Creative
Commons Attribution 2.5 license.
The
Noah's
Ark painting by Edward Hicks, 1780-1849, is in the public
domain.
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